
Tuesday, November 2, 2010
NEW TRENDS IN MEN’S GYMNASTICS
1. Introduction
A. Gymnastics Overview
1. Six areas of concern for Coaches – Six Men’s Apparatus ( FX,PH,SR,VT,PB HB )
2. Six areas of supplemental Learning
a. Strength and Endurance
b Flexibility
c. Air Sense
d. Mental Preparation
e. Dance
f. General Information
i) Nutrition
ii) Judging Gymnastics
iii) Philosophy of Coaching
II. New Trends Derived from Supplemental Learning Areas
A. Upper Torso Flexibility and Strength
i) Highly developed in current world class gymnasts
ii) Creates very effective beat swings on apparatus
iii) Creates effective lifts on FX
iv) Creates very pleasing aesthetics lines on PH,PB HB
v) Strength Drills
a) PH lifts in arch-up position
b) PH lifts in sit-up position
c) Partner sit-up ( hollow-up that avoids partner’s touch )
vi) Flexibility Drills
a) Bridge that in-locates upper back
b) Hollow and arch in prone position
B. The Use of Dance in Floor Exercise
1. FX moving away from robotic years of Ditiatin, Andrianov
2. Dance Elements creates Creativity, originality and Virtuosity )
3. Areas of Development
a) Head, Shoulders, arms, finger awareness
b) Focus
c) Rhythm through FX corners and side pass
( e.g. energetic to soft – Li Ning )
d) Original Shapes – Jesus Rivera
4. Dance elements and a new dimension to FX
A. Gymnastics Overview
1. Six areas of concern for Coaches – Six Men’s Apparatus ( FX,PH,SR,VT,PB HB )
2. Six areas of supplemental Learning
a. Strength and Endurance
b Flexibility
c. Air Sense
d. Mental Preparation
e. Dance
f. General Information
i) Nutrition
ii) Judging Gymnastics
iii) Philosophy of Coaching
II. New Trends Derived from Supplemental Learning Areas
A. Upper Torso Flexibility and Strength
i) Highly developed in current world class gymnasts
ii) Creates very effective beat swings on apparatus
iii) Creates effective lifts on FX
iv) Creates very pleasing aesthetics lines on PH,PB HB
v) Strength Drills
a) PH lifts in arch-up position
b) PH lifts in sit-up position
c) Partner sit-up ( hollow-up that avoids partner’s touch )
vi) Flexibility Drills
a) Bridge that in-locates upper back
b) Hollow and arch in prone position
B. The Use of Dance in Floor Exercise
1. FX moving away from robotic years of Ditiatin, Andrianov
2. Dance Elements creates Creativity, originality and Virtuosity )
3. Areas of Development
a) Head, Shoulders, arms, finger awareness
b) Focus
c) Rhythm through FX corners and side pass
( e.g. energetic to soft – Li Ning )
d) Original Shapes – Jesus Rivera
4. Dance elements and a new dimension to FX
VISUALIZING ORIGINAL SKILLS
Some Methods:
1 Look at old films and videos for unusual skills and combinations.
Ex. Kato hop on PB, swings to inverted cross on R, Honma onRings )
2. Observe dance performances
eg. various twisting, leaps transitions etc.
3. Add a twist or salto
eg. 2 ½ twisting back dive on FX, twisting swings on R,
Lo’s mount on FX, 1/1 hop pirouette on FE or PB
4. Watch a film or video in reverse.
Eg. reverse cast on PB, Healy on PB Honma on R
5. Using the mind’s eye, change a skill by mirroring the motion of body parts.
Free hip circles rear-ways on HB
6. Take a move from another event
eg. flaired circles on FX & PB, Tong on PB, Li, in R salto backward on R
7. Take a move from women’s gymnastics
toe-on 1 ½ twist on HB
8. Devise new combinations
eg. Omeliantchik on FX
9. Try a new hand change on PH
Stold’s double reverse stockli with promoted grip.
1 ½ Russian on one pommel
10. Improve technique
Delchev’s side scale, Markelov’s Honma to L cross. etc.
1 Look at old films and videos for unusual skills and combinations.
Ex. Kato hop on PB, swings to inverted cross on R, Honma onRings )
2. Observe dance performances
eg. various twisting, leaps transitions etc.
3. Add a twist or salto
eg. 2 ½ twisting back dive on FX, twisting swings on R,
Lo’s mount on FX, 1/1 hop pirouette on FE or PB
4. Watch a film or video in reverse.
Eg. reverse cast on PB, Healy on PB Honma on R
5. Using the mind’s eye, change a skill by mirroring the motion of body parts.
Free hip circles rear-ways on HB
6. Take a move from another event
eg. flaired circles on FX & PB, Tong on PB, Li, in R salto backward on R
7. Take a move from women’s gymnastics
toe-on 1 ½ twist on HB
8. Devise new combinations
eg. Omeliantchik on FX
9. Try a new hand change on PH
Stold’s double reverse stockli with promoted grip.
1 ½ Russian on one pommel
10. Improve technique
Delchev’s side scale, Markelov’s Honma to L cross. etc.
Saturday, October 23, 2010
GYMNASTICS SEMINAR 2010
The Malaysia Gymnastics Fedration with the cooperatipn of the National Sports Council Malaysia held its first Seminar, Entitled - Past, Present and Future of Gymnastics in Malaysia on the 24 - 25 October at the Auditorium 1, National Sports Council Malaysia.
The invited speaker was Mr Gao Jian, Consultant from the Federation International Gymnastics.
The steps taken by the MGF and the NSC is timely looking at the standard of Gymnastics, especially Artistic Gymnastics which is in a state of vaccum. We may have to wait for another 10 years or 10,000 hours of training and deliberate practice to develope a High Performance athlete before we can be at the International Arena again.
The existing system needs to change to evolve.
" The definition of insanity is doing the same thing over and over again and expecting different results."
“Developing Olympic Champions is like training doctors, it’s expensive, takes time and needs real expertise.”
I hope all those attending the Seminar will come up with a concrete solution to help Malaysia regain her pride in this sport.
The invited speaker was Mr Gao Jian, Consultant from the Federation International Gymnastics.
The steps taken by the MGF and the NSC is timely looking at the standard of Gymnastics, especially Artistic Gymnastics which is in a state of vaccum. We may have to wait for another 10 years or 10,000 hours of training and deliberate practice to develope a High Performance athlete before we can be at the International Arena again.
The existing system needs to change to evolve.
" The definition of insanity is doing the same thing over and over again and expecting different results."
“Developing Olympic Champions is like training doctors, it’s expensive, takes time and needs real expertise.”
I hope all those attending the Seminar will come up with a concrete solution to help Malaysia regain her pride in this sport.
Saturday, October 9, 2010
GYMNASTICS ARTISTIC RESULTS

Commonwealth Games 2010 Delhi Gymnastics(Artistic) for Mens Events
Australia ( AUS )
England (ENG )
England (ENG )
Canada ( CAN )
Individual all-around
Luke Folwell (ENG)
Reiss Beckford (ENG)
Joshua Jefferis (AUS)
Reiss Beckford (ENG)
Joshua Jefferis (AUS)
Floor
Thomas Pichler (AUS)
Reiss Beckford (ENG)
Ashish Kumar (IND)
Reiss Beckford (ENG)
Ashish Kumar (IND)
Pommel Horse
Prashanth Sellathurai (AUS)
Max Whitlock (ENG)
Jonathan Chan Thuang Tong (SIN)
Max Whitlock (ENG)
Jonathan Chan Thuang Tong (SIN)
Rings
Samuel Offord (AUS)
Luke Folwell (ENG)
Herodotos Giorgallas (CYP)
Luke Folwell (ENG)
Herodotos Giorgallas (CYP)
Vault
Luke Folwell (ENG)
Ashish Kumar (IND)
Ian Galvan (CAN)
Ashish Kumar (IND)
Ian Galvan (CAN)
Parallel Bars
Joshua Jefferis (AUS)
Luke Folwell (ENG)
Prashanth Sellathurai (v)
Horizontal Bar
Dimitris Krasias (CYP)
Anderson Loran (CAN)
Max Whitlock (ENG)
Anderson Loran (CAN)
Max Whitlock (ENG)
XIX Commonwealth Games 2010 Delhi Gymnastics(Artistic) for Womens Events
Team
Australia (AUS)
England (ENG)
Canada (CAN)
Individual all-around
Lauren Mitchell (AUS)
Emily Little (AUS)
Georgia Bonora (AUS)
Emily Little (AUS)
Georgia Bonora (AUS)
Vault
Imogen Cairns (ENG)
Jennifer Mbali Khwela (RSA)
Gabby May (CAN)
Jennifer Mbali Khwela (RSA)
Gabby May (CAN)
Uneven Bars
Lauren Mitchell (AUS)
Georgia Bonora (AUS)
Cynthia Lemieux-Guillemette (CAN)
Georgia Bonora (AUS)
Cynthia Lemieux-Guillemette (CAN)
Floor
Imogen Cairns (ENG)
Lauren Mitchell (AUS)
Ashleigh Brennan (AUS)
Balance Beam
Lauren Mitchell (AUS)
Heem Wee (SIN)
Cynthia Lemieux-Guillemette (CAN)
Imogen Cairns (ENG)
Heem Wee (SIN)
Cynthia Lemieux-Guillemette (CAN)
Imogen Cairns (ENG)NSC/MGF CLASSIFICATION PROGRAM NATONAL CHAMPIONSHIP

The championship held on the 8 till 10 October 2010 at Gymnasium III, National Sports Council Malaysia, attracted more than 160 MAG and WAG gymnastts from most of the states in Malaysia.
The first day results:
MAG Level I
Champion - Sarawak; 469.400 points
Runners-up - Perak ; 451.850 points
Third - Terengganu ; 447.450 points
MAG Level II
Champion - Edugym ; 447.250 points
Runners up - Terengganu; 434.300 points
Third - Perak ; 409.650 points
WAG Level I
Champion - Perak ; 294.150 points
Runners-up - Edugym ; 284.76 points
Third - Kedah ; 262.260 points
WAG Level II
Champion - Sarawak ; 300.000 points
Runners-up - Edugym ; 280.100 points
Wishing all the gymnasts the best of luck.
Friday, October 1, 2010
New Delhi - Commonwealth Games 2010
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